Evaluating Oscilloscopes (Part 4)

In this final installment of my four-part mini-series about selecting an oscilloscope, I’ll look at triggering, waveform generators, and clock synchronization, and I’ll wrap up with a series summary.

My previous posts have included Part 1, which discusses probes and physical characteristics of stand-alone vs. PC-based oscilloscopes; Part 2, which examines core specifications such as bandwidth, sample rate, and ADC resolution; and Part 3, which focuses on software. My posts are more a “collection of notes” based on my own research rather than a completely thorough guide. But I hope they are useful and cover some points you might not have otherwise considered before choosing an oscilloscope.

This is a screenshot from Colin O'Flynn's YouTube video "Using PicoScope AWG for Testing Serial Data Limits."

This is a screenshot from Colin O’Flynn’s YouTube video “Using PicoScope AWG for Testing Serial Data Limits.”

Topic 1: Triggering Methods
Triggering your oscilloscope properly can make a huge difference in being able to capture useful waveforms. The most basic triggering method is just a “rising” or “falling” edge, which almost everyone is (or should be) familiar with.

Whether you need a more advanced trigger method will depend greatly on your usage scenario and a bit on other details of your oscilloscope. If you have a very long buffer length or ability to rapid-fire record a number of waveforms, you might be able to live with a simple trigger since you can easily throw away data that isn’t what you are looking for. If your oscilloscope has a more limited buffer length, you’ll need to trigger on the exact moment of interest.

Before I detail some of the other methods, I want to mention that you can sometimes use external instruments for triggering. For example, you might have a logic analyzer with an extremely advanced triggering mechanism.  If that logic analyzer has a “trigger out,” you can trigger the oscilloscope from your logic analyzer.

On to the trigger methods! There are a number of them related to finding “odd” pulses: for example, finding glitches shorter or wider than some length or finding a pulse that is lower than the regular height (called a “runt pulse”). By knowing your scope triggers and having a bit of creativity, you can perform some more advanced troubleshooting. For example, when troubleshooting an embedded microcontroller, you can have it toggle an I/O pin when a task runs. Using a trigger to detect a “pulse dropout,” you can trigger your oscilloscope when the system crashes—thus trying to see if the problem is a power supply glitch, for example.

If you are dealing with digital systems, be on the lookout for triggers that can function on serial protocols. For example, the Rigol Technologies stand-alone units have this ability, although you’ll also need an add-on to decode the protocols! In fact, most of the serious stand-alone oscilloscopes seem to have this ability (e.g., those from Agilent, Tektronix, and Teledyne LeCroy); you may just need to pay extra to enable it.

Topic 2: External Trigger Input
Most oscilloscopes also have an “external trigger input.”  This external input doesn’t display on the screen but can be used for triggering. Specifically, this means your trigger channel doesn’t count against your “ADC channels.” So if you need the full sample rate on one channel but want to trigger on another, you can use the “ext in” as the trigger.
Oscilloscopes that include this feature on the front panel make it slightly easier to use; otherwise, you’re reaching around behind the instrument to find the trigger input.

Topic 3: Arbitrary Waveform Generator
This isn’t strictly an oscilloscope-related function, but since enough oscilloscopes include some sort of function generator it’s worth mentioning. This may be a standard “signal generator,” which can generate waveforms such as sine, square, triangle, etc. A more advanced feature, called an arbitrary waveform generator (AWG), enables you to generate any waveform you want.

I previously had a (now very old) TiePie engineering HS801 that included an AWG function. The control software made it easy to generate sine, square, triangle, and a few other waveforms. But the only method of generating an arbitrary waveform was to load a file you created in another application, which meant I almost never used the “arbitrary” portion of the AWG. The lesson here is that if you are going to invest in an AWG, make sure the software is reasonable to use.

The AWG may have a few different specifications; look for the maximum analog bandwidth along with the sample rate. Be careful of outlandish claims: a 200 MS/s digital to analog converter (DAC) could hypothetically have a 100-MHz analog bandwidth, but the signal would be almost useless. You could only generate some sort of sine wave at that frequency, which would probably be full of harmonics. Even if you generated a lower-frequency sine wave (e.g., 10 MHz), it would likely contain a fair amount of harmonics since the DAC’s output filter has a roll-off at such a high frequency.

Better systems will have a low-pass analog filter to reduce harmonics, with the DAC’s sample rate being several times higher than the output filter roll-off. The Pico Technology PicoScope 6403D oscilloscope I’m using can generate a 20-MHz signal but has a 200 MS/s sample rate on the DAC. Similarly, the TiePie engineering HS5-530 has a 30-MHz signal bandwidth, and similarly uses a 240 MS/s sample rate. A sample rate of around five to 10 times the analog bandwidth seems about standard.

Having the AWG integrated into the oscilloscope opens up a few useful features. When implementing a serial protocol decoder, you may want to know what happens if the baud rate is slightly off from the expected rate. You can quickly perform this test by recording a serial data packet on the oscilloscope, copying it to the AWG, and adjusting the AWG sample rate to slightly raise or lower the baud rate. I illustrate this in the following video.


Topic 4: Clock Synchronization

One final issue of interest: In certain applications, you may need to synchronize the sample rate to an external device. Oscilloscopes will often have two features for doing this. One will output a clock from the oscilloscope, the other will allow you to feed an external clock into the oscilloscope.

The obvious application is synchronizing a capture between multiple oscilloscopes. You can, however, use this for any application where you wish to use a synchronous capture methodology. For example, if you wish to use the oscilloscope as part of a software-defined radio (SDR), you may want to ensure the sampling happens synchronous to a recovered clock.

The input frequency of this clock is typically 10 MHz, although some devices enable you to select between several allowed frequencies. If the source of this clock is anything besides another instrument, you may have to do some clock conditioning to convert it into one of the valid clock source ranges.

Summary and Closing Comments
That’s it! Over the past four weeks I’ve tried to raise a number of issues to consider when selecting an oscilloscope. As previously mentioned, the examples were often PicoScope-heavy simply because it is the oscilloscope I own. But all the topics have been relevant to any other oscilloscope you may have.

You can check out my YouTube playlist dealing with oscilloscope selection and review.  Some topics might suggest further questions to ask.

I’ve probably overlooked a few issues, but I can’t cover every possible oscilloscope and option. When selecting a device, my final piece of advice is to download the user manual and study it carefully, especially for features you find most important. Although the datasheet may gloss over some details, the user manual will typically address the limitations you’ll run into, such as FFT length or the memory depths you can configure.

Author’s note: Every reasonable effort has been made to ensure example specifications are accurate. There may, however, be errors or omissions in this article. Please confirm all referenced specifications with the device vendor.

Evaluating Oscilloscopes (Part 2)

This is Part 2 of my mini-series on selecting an oscilloscope. Rather than a completely thorough guide, it’s more a “collection of notes” based on my own research. But I hope you find it useful, and it might cover a few areas you hadn’t considered.

Last week I mentioned the differences between PC-based and stand-alone oscilloscopes and discussed the physical probe’s characteristics. This week I’ll be discussing the “core” specifications: analog bandwidth, sample rate, and analog-to-digital converter (ADC) resolution.

Topic 1: Analog Bandwidth
Many useful articles online discuss the analog oscilloscope bandwidth, so I won’t dedicate too much time to it. Briefly, the analog bandwidth is typically measured as the “half-power” or -3 dB point, as shown in Figure 1. Half the power means 1/√2 of the voltage. Assume you put a 10-MHz, 1-V sine wave into your 100-MHz bandwidth oscilloscope. You expect to see a 1-V sine wave on the oscilloscope. As you increase the frequency of the sine wave, you would instead expect to see around 0.707 V when you pass a 100-MHz sine wave. If you want to see this in action, watch my video in which I sweep the input frequency to an oscilloscope through the -3 dB point.

Figure 1: The bandwidth refers to the "half-power" or -3 dB  point. If we drove a sine wave of constant amplitude and increasing frequency into the probe, the -3 dB point would be when the amplitude measured in the scope was 0.707 times the initial amplitude.

Figure 1: The bandwidth refers to the “half-power” or -3 dB point. If we drive a sine wave of constant amplitude and increasing frequency into the probe, the -3 dB point would be when the amplitude measured in the scope is 0.707 times the initial amplitude.

Unfortunately, you are likely to be measuring square waves (e.g., in digital systems) and not sine waves. Square waves contain high-frequency components well beyond the fundamental frequency of the wave. For this reason the “rule of thumb”  is to select an oscilloscope with five times the analog bandwidth of the highest–frequency digital signal you would be measuring. Thus, a 66-MHz clock would require a 330-MHz bandwidth oscilloscope.

If you are interested in more details about bandwidth selection, I encourage you to see one of the many excellent guides. Adafruit has a blog post “Why Oscilloscope Bandwidth Matters” that offers more information, along with links to guides from Agilent Technologies and Tektronix.

If you want to play around yourself, I’ve got a Python script that applies analog filtering to a square wave and plots the results, available here. Figure 2 shows an example of a 50-MHz square wave with 50-MHz, 100-MHz, 250-MHz, and 500-MHz analog bandwidth.

Figure 2: This shows sampling a 50-MHz square wave with 50, 100, 250, and 500-MHz of analog bandwidth.

Figure 2: This shows sampling a 50-MHz square wave with 50, 100, 250, and 500 MHz of analog bandwidth.

Topic 2: Sample Rate
Beyond the analog bandwidth, oscilloscopes also prominently advertise the sample rate. Typically, this is in MS/s (megasamples per second) or GS/s (gigasamples per second). The advertised rate is nearly always the maximum if using a single channel. If you are using both channels on a two-channel oscilloscope that advertises 1 GS/s, typically the maximum rate is actually 500 MS/s for both channels.

So what rate do you need? If you are familiar with the Nyquist criterion, you might simply think you should have a sample rate two times the analog bandwidth. Unfortunately, we tend to work in the time domain (e.g., looking at the oscilloscope screen) and not the frequency domain. So you can’t simply apply that idea. Instead, it’s useful to have a considerably higher sample rate compared to analog bandwidth, say, a five times higher sample rate. To illustrate why, see Figure 3. It shows a 25.3-MHz square wave, which I’ve sampled with an oscilloscope with 50-MHz analog bandwidth. As you would expect, the signal rounds off considerably. However, if I only sample it at 100 MS/s, at first sight the signal is almost unrecognizable! Compare that with the 500 MS/s sample rate, which more clearly looks like a square wave (but rounded off due to analog bandwidth limitation).

Again, these figures both come from my Python script, so they are based purely on “theoretical” limits of sample rate. You can play around with sample rate and bandwidth to get an idea of how a signal might look.

Figure 3

Figure 3: This shows sampling a 25.3-MHz square wave at 100 MS/s results in a signal that looks considerably different than you might expect! Sampling at 500 MS/s results in a much more “proper” looking wave.

Topic 3: Equivalent Time Sampling
Certain oscilloscopes have an equivalent time sampling (ETS) mode, which advertises an insanely fast sample rate. For example, the PicoScope 6000 series, which has a 5 GS/s sample rate, can use ETS mode and achieve 200 GS/s on a single channel, or 50 GS/s on all channels.

The caveat is that this high sample rate is achieved by doing careful phase shifts of the A/D sampling clock to sample “in between” the regular intervals. This requires your input waveform be periodic and very stable, since the waveform will actually be “built up” over a longer time interval.

So what does this mean to you? Luckily, many actual waveforms are periodic, and you might find ETS mode very useful. For example, if you want to measure the phase shift in two clocks through a field-programmable gate array (FPGA), you can do this with ETS. At 50 GS/s, you would have 20 ps resolution on the measurement! In fact, that resolution is so high you could measure the phase difference due to a few centimeters difference in PCB trace.

To demonstrate this, I can show you a few videos. To start with, the simple video below shows moving the probes around while looking at the phase difference.

A more practical demonstration, available in the following video, measures the phase shift of two paths routed through an FPGA.

Finally, if you just want to see a sine wave using ETS you can check out the bandwdith demonstration  I referred to earlier in the this article. The video (see below) includes a portion using ETS mode.

 

Topic 4: ADC Resolution
A less prominently advertised feature of certain oscilloscopes is the ADC bit resolution in the front end. Briefly, the ADC resolution tells you how the analog waveform will get mapped to the digital domain. If you have an 8-bit ADC, this means you have 28 = 256 possible numbers the digital waveform can represent. Say you have a ±5 V range on the oscilloscope—a total span of 10 V. This means the ADC can resolve 10 V / 256 = 39.06 mV difference on the input voltage.

This should tell you one fact about digital oscilloscopes: You should always use the smallest possible range to get the finest granularity. That same 8-bit ADC on a ±1 V range would resolve 7.813 mV. However, what often happens is your signal contains multiple components—say, spiking to 7 V during a load switch, and then settling to 0.5 V. This precludes you from using the smaller range on the input, since you want to capture the amplitude of that 7-V spike.

If, however, you had a 12-bit ADC, that 10 V span (+5 V to -5 V) would be split into 212 = 4,096 numbers, meaning the resolution is now 2.551 mV.  If you had a 16-bit ADC, that 10-V range would give you 216 = 65,536 numbers, meaning you could resolve down to 0.1526 mV. Most of the time, you have to choose between a faster ADC with lower (typically 8-bit) resolution or a slower ADC with higher resolution. The only exception to this I’m aware of is the Pico Technology FlexRes 5000 series devices, which allow you to dynamically switch between 8/12/14/15/16 bits with varying changes to the number of channels and sample rate.

While the typical ADC resolution seems to be 8 bits for most scopes, there are higher-resolution models too. As mentioned, these devices are permanently in high-resolution mode, so you have to decide at purchasing time if you want a very high sample rate, or a very high resolution. For example, Cleverscope has always advertised higher resolutions, and their devices are available in 10, 12, or 14 bits. Cleverscope seems to sell the “digitizer” board separately, giving you some flexibility in upgrading to a higher-resolution ADC. TiePie engineering has devices available from 8–14 bits with various sample rate options. Besides the FlexRes device I mentioned, Pico Technology offers some fixed resolution devices in higher 14-bit resolution. Some of the larger manufacturers also have higher-resolution devices, for example Teledyne LeCroy has its High Resolution Oscilloscope (HRO), which is a fixed 12-bit device.

Note that many devices will advertise either an “effective” or “software enhanced” bit resolution higher than the actual ADC resolution. Be careful with this: software enhancement is done via filtering, and you need to be aware of the possible resulting changes to your measurement bandwidth. Two resources with more details on this mode include the ECN magazine article “How To Get More than 8 Bits from Your 8-bit Scope” and the Teledyne LeCroy application note “Enhanced Resolution.” Remember that a 12-bit, 100-MHz bandwidth oscilloscope is not the same as an 8-bit, 100-MHz bandwidth oscilloscope with resolution enhancement!

Using the oscilloscope’s fast Fourier transform (FFT) mode (normally advertised as the spectrum analyzer mode), we can see the difference a higher-resolution ADC makes. When looking at a waveform on the screen, you may think that you don’t care at all about 14-bit accuracy or something similar. However, if you plan to do measurements such as total harmonic distortion (THD), or otherwise need accurate information about frequency components, having high resolution may be extremely important to achieve a reasonable dynamic range.

As a theoretical example I’m using my script mentioned earlier, which will digitize a perfect sine wave and then display the frequency spectrum. The number of bits in the ADC (e.g., quantization) is adjustable, so the harmonic component is solely due to quantization error. This is shown in Figure 4. If you want to see a version of this using a real instrument, I conduct a similar demonstration in this video.

Certain applications may find the higher bit resolution a necessity. For example, if you are working in high-fidelity audio applications, you won’t be too worried about an extremely high sample rate, but you will need the high resolution.

Figure 4: In the frequency domain, the effect of limited quantization bits is much more apparent. Here a 10-MHz pure sine wave frequency spectrum is taken using a different number of bits during the quantization process.

Figure 4: In the frequency domain, the effect of limited quantization bits is much more apparent. Here a 10-MHz pure sine wave frequency spectrum is taken using a different number of bits during the quantization process. (CLICK TO ZOOM)

Coming Up
This week I’ve taken a look at some of the core specifications. I hope the questions to ask when purchasing an oscilloscope are becoming clearer! Next week, I’ll be looking at the software running the oscilloscope, and details such as remote control, FFT features, digital decoding, and buffer types. The fourth and final week will delve into a few remaining features such as external trigger and clock synchronization and will summarize all the material I’ve covered in this series.

Author’s note: Every reasonable effort has been made to ensure example specifications are accurate. There may, however, be errors or omissions in this article. Please confirm all referenced specifications with the device vendor.