Simple Circuits: Turn a Tube Radio Into an MP3 Amp

Want to give your MP3 player vintage tube sound? You can with the proper circuits, an antique radio, and a little know-how. In addition to generating amazing sound, the design will be an eye catcher in your home or office.

Here I present excerpts from Bill Reeve’s article, “Repurposing Antique Radios as Tube Amplifiers,” in which he provides vintage radio resources, simple circuit diagrams, and essential part info. He also covers the topics of external audio mixing and audio switching. The article appeared in the May 2012 edition of audioXpress magazine.

Manufactured from the 1930s through the 1960s, vacuum tube radios often contain high-quality audio amplifiers at the end of their RF signal chain. You can repurpose these radios into vintage, low-power tube amplifiers—without marring them in any way or detracting from their original charm and functionality as working analog radios.

Wood-cased radios have especially good sound quality, and the battery compartments in antique “portable” radios (like the Philco 48-360 or the Zenith Transoceanics) provide perfect locations for additional circuitry. When restored properly, large furniture-style radios that were built for “high fidelity” (like the late 1930s and early 1940s Philco console radios) can fill a room with rich beautiful sound.

Simple Circuits

The simple circuits described in this article perform two functions. They mix an external line-level stereo signal (typically from an MP3 player or computer) and reference it to the radio’s circuit. They also use the radio’s on/off knob to switch this external signal to the radio’s audio amplifier.

There is not one circuit that will work for every antique radio. (Original schematics for antique tube radios are available on the web www.justradios.com). But the circuits described here can be adapted to any radio topology. All the parts can be ordered from an electronics supplier like Digi-Key, and the circuit can be soldered on a prototyping printed circuit board (such as RadioShack P/N 276-168B).

External audio mixing

Figure 1 and Figure 2 show some examples of circuit schematics that mix the line-level stereo audio signals together (almost all tube radios are monophonic), while providing galvanic isolation from high voltages within the radio. Figure 1 shows an inexpensive solution suitable for most table-top radios.

Figure 1: An inexpensive circuit for mixing an MP3 player’s stereo audio signals safely into an antique radio. None of the component values are critical. (Source: B. Reeve, AX 5/12)

These radios have relatively small speakers that are unable to reproduce deep bass, so an inexpensive audio transformer (available from on-line distributors) does the job. I picked up a bucket of Tamura TY-300PR transformers for $0.50 each at an electronics surplus store, and similar transformers are commercially available. Alternatively, the Hammond 560G shown in Figure 2 is an expensive, highquality audio transformer suitable to high-fidelity radios (like the furniture-sized Philco consoles). A less expensive (and fine-sounding) alternative is the Hammond 148A.

Figure 2: A high-fidelity circuit for mixing external stereo audio signals safely into an antique radio. (Source: B. Reeve, AX 5/12)

I use Belden 9154 twisted, shielded audio cable for wiring internal to the radio, but twisted, 24-gauge wire will work well. An 8′ long audio cable with a 3.5-mm stereo jack on each end can be cut in half to make input cables for two radios, or you can use the cord from trashed ear-buds. You can route the audio cable out the back of the chassis. Photo 1 is a photograph of a 1948 Philco portable tube radio restored and used as an MP3 player amplifier.

Photo 1: A 1948 Philco portable tube radio restored and repurposed as an MP3 amplifier. (Source: B. Reeve, AX 5/12)

Audio switching using the radio’s on/off knob

After creating the mixed, radio-referenced signal, the next step is to build a circuit that switches the voltage driving the radio’s audio amplifier between its own internal broadcast and the external audio signal.

Figure 3 illustrates this audio routing control using the radio’s existing front panel power knob. Turn the radio on, and it behaves like the old analog radio it was designed to be (after the tubes warm up). However, if you turn the radio off, then on again within a few of seconds, the external audio signal is routed to the radio’s tube amplifier and speaker.

The circuit shown in Figure 3 uses a transformer to create the low voltage used by the switching circuit. There are many alternative power transformers available, and many methods of creating a transformerless power supply. Use your favorite….

The next photos (see Photo 2a and Photo 2b) show our additional circuit mounted in the lower (battery) compartment of a Zenith Transoceanic AM/shortwave receiver. Note the new high-voltage (B+) capacitors (part of the radio’s restoration) attached to a transformer housing with blue tie wraps.

Photo 2a: The inside view of a Zenith Transoceanic AM/shortwave radio restored and augmented as an MP3 audio amplifier. b: This is an outside view of the repurposed Zenith Transoceanic AM/shortwave radio. (Source: B. Reeve, AX 5/12)

The added circuit board that performs the audio re-routing is mounting to a 0.125″ maple plywood base, using screws countersunk from underneath. The plywood is securely screwed to the inside base of the radio housing. Rubber grommets are added wherever cables pass through the radio’s steel frame.—Bill Reeve

Click here to view the entire article. The article is password protected. To access it, “ax” and the author’s last name (no spaces).

CircuitCellar.com and audioXpress are Elektor International Media publications.   

Hollow-State Amps & Frequency Response

“Glass audio” has been growing in popularity among average audio enthusiasts for the past decade. Music-loving consumers worldwide enjoy the look and sound (i.e., the “warmth”) of tube amps, and innovative companies are creating demand by selling systems featuring tubes, iPod/MP3 hookups, and futuristic-looking enclosures. I suspect hybrid modern/retro designs will continue to gain popularity.

Many serious audiophiles enjoy incorporating glass tubes in their custom audio designs to create the sounds and audio system aesthetics to match their tastes. If you’re a DIYer of this sort, you’ll benefit from knowing how amps work and understanding topics such as frequency responses. In the April 2012 issue of audioXpress, columnist Richard Honeycutt details just that in his article titled “The Frequency Response of Hollow-State Amplifiers.”

Below is an excerpt from Honeycutt’s article. Click the link at the bottom of this post to read the entire article.

Early electronic devices were intended mainly for speech amplification and reproduction. By the 1930s, however, musical program material gained importance, and an extended frequency response became a commercial necessity. This emphasis grew until, in the 1950s and 1960s, the Harmon Kardon Citation audio amplifier claimed frequency response from 1 to 100,000 Hz flat within a decibel or better. Although today, other performance metrics have surpassed frequency response in advertising emphasis—in part because wide, flat frequency response is now easier to obtain with modern circuitry—frequency response remains a very important parameter …

Just which factors determine the low- and high-frequency limitations of vacuum tube amplifiers? In order to examine these factors, we need to discuss a bit of electric circuit theory. If a voltage source—AC or DC, it doesn’t matter—is connected to a resistance, the resulting current is given by Ohm’s Law: I = V/R. If the voltage source is of the AC variety, and the resistor is replaced by a capacitor or inductor, the current is given by: I = V/X where X is the reactance of the capacitor or inductor. Reactance limits current flow by means of temporary energy storage: capacitive reactance XC does so via the electric field, and inductive reactance XL stores energy in the magnetic field.

Figure 1 - The values of reactance provided by a 0.1-μF capacitor and a 254-mH inductor, for a frequency range of 10 to 30,000 Hz (Source: R. Honeycutt, AX April 2012)

Figure 1 shows the values of reactance provided by a 0.1 μF capacitor and a 254 mH inductor, for a frequency range of 10 to 30,000 Hz. Notice that capacitive reactance decreases with frequency; whereas, inductive reactance increases as frequency increases.

Click here to read the entire article.

audioXpress is an Elektor group publication.

 

 

audioXpress: HP456A Current Probe Restoration

Retro electronics (or “retronics”) projects are growing in popularity. Across the globe, professional engineers and DIYers alike are tweaking, updating, and hacking retro systems to create all sorts of innovative designs. Restoring and upgrading an old electronics tool, MCU-based design, or audio system can be a rewarding experience.

In the February 2012 issue of audioXpress magazine, Bill Reeve details how he restored a Hewlett-Packard 456A current probe (“Restoring the HP 456A Current Probe”). Here’s an abridged excerpt:

The restoration is finished and ready for cover installation (Soure: Bill Reeve AX 2/12)

The Hewlett-Packard 456A AC current probe is a treasure. It can be bought cheaply because many of the units sold were battery powered and all were designed with a now-out-of-date oscilloscope interface connector. However, when restored, the 456A is a fabulous addition to any test bench, matching the performance of more expensive modern instruments.

Released as a new product by the Hewlett-Packard Company in 1960, the 456A was HP’s first solid-state, stand-alone, clip-on current probe. Its elegantly designed amplifier uses two— then “state-of-the art”—PNP germanium transistors.

The Original Probe
In 1960, The Hewlett-Packard Journal (July-August, Vol. 11) proudly announced:

“This new probe measures current over the full range of the frequencies most commonly used in typical work—25~ to 20 megacycles—and over an amplitude range from below 0.5 mA to 1 A rms…The probe operates with an accompanying small amplifier…to convert the AC current being measured to a proportional voltage. This voltage can then be measured with a suitable oscilloscope or voltmeter. The current-to-voltage conversion factor is 1 mV/mA.”

The 456A operating and service manual is available at www.hparchive.com, but this scanned copy contains incorrectly annotated schematic values for R7 (should be 3300 Ω), R8 (should be 2700 Ω) and C5 (should be 0.01 μF).

Old battery-powered 456As are usually in excellent physical shape because when their batteries ran down these instruments were often shelved and forgotten. Another 456A advantage is that its probe head is wired directly to the amplifier, so they cannot be separated by surplus electronics dealers.

Restoration
Restoration of the 456A consists of three steps: replacing the old battery pack with DC power, restoring the amplifier electronics, and converting the obsolete oscilloscope banana plug interface to a BNC connector.

Step 1: Replace the old battery pack. Remove the two Phillips-head screws on the housing back to slide off the 456A’s cover. Re-thread the screws into the frame to keep them from getting lost. ….

Step 2: Restore the amplifier electronics. At this point, if you are happy with your current probe’s performance, you can skip the following upgrades, but these are five modifications you might need to perform to get your 456A working or improve its performance:

• Replace the electrolytic capacitors
• Replace the two germanium transistors
• Replace the 8-V breakdown diode (CR1)
• AC-couple the output
• Flow solder onto the printed circuit traces

Photo 6 is an annotated close-up of the amplifier’s single-sided printed circuit board. Following vacuum tube circuit convention, the +5 V is labeled “B+” and the –8 V is labeled “B–”. There are three electrolytic capacitors in the amplifier (see the horizontal silver cylinders in Photo 6), and their replacement is straightforward. ….

Photo 6: The amplifier's original printed circuit board (Source: Bill Reeve AX 2/12)

Step 3: Convert the oscilloscope interface to a BNC connector. This final modification can be performed one of three ways. Pomona electronics (visit the website pomonaelectronics.com) sells a female banana to male BNC adapter (Model 1296). You can cut the banana plug connector off the existing cable and attach a male BNC connector. This requires special tools.

You can replace the output cable with coax having one BNC end. This is a straightforward replacement. Photo 9 shows the new BNC output cable. …

Photo 9: BNC ouput cable installed (Source: Bill Reeve AX 2/12)

This restoration should make your 456A ready for another 50 years of service.

Note: The complete article appears in the February 2012 issue of audioXpress magazine. audioXpress magazine, like Circuit Cellar, is an Elektor group publication.